Simon Wiffen
Photography

How to Get Natural Results with Flash when Shooting Environmental Portraits on Location

A few months ago I had the pleasure of meeting poet Lydia to shoot some environmental portraits to support her personal brand.

Hailing from New York and now living in Yorkshire, Lydia’s debut pamphlet, A History of Walking, was published in 2019. Her poems have appeared in a variety of anthologies and magazines.

She got in touch looking for a new headshot to use for promotional purposes. I met Lydia at her home and after shooting a basic headshot we decided to set up some more relaxed, environmental portraits.

To kick off the session we started with a fairly typical headshot. (How cool is Lydia's wallpaper by the way!)
To kick off the session we started with a fairly typical headshot. (How cool is Lydia’s wallpaper by the way!)

Creating natural lighting for environmental portraits with portable flash

When shooting portraits on location I use portable studio lighting for maximum control. My lighting kit consists of a pair of Godox AD300 Pros with a Softbox/Brollies. I also have a Godox V1C which I use mainly for events where I need on-camera flash but can be used seamlessly with my two larger lights for a more sophisticated three light setup. Paired with a Godox X-Pro C Trigger I can control all three lights remotely from my camera which allows me to work quickly.

I find this setup really powerful, particularly when shooting on location where sometimes space is tight. I can work with one, two or three lights as space and requirements allow.

Environmental portrait of a woman sat reading a book in a living room with gramaphone in the background
As a record collector and general lover of ‘analogue’ this gramaphone caught my eye immediately. The key light here was set up to enhance the light coming from the living room window and I bounced some additional fill into the corner of the room.

Where possible, I try and use strobes to enhance the light that already exists. If a room has a clear key source of light such as a large window then I’ll use my lights to enhance that using additional lights to fill in shadows or bring in the background as needed. Sometimes the natural light source isn’t quite strong enough, or perhaps the conditions keep changing. The strobes offer a greater degree of control.

Using strobes to enhance ambient lighting for environmental portraits
I’m a firm believer that every house should have a piano (I’m a terrible player but even so…). The net curtains in this lovely big bay window already offered up lovely diffused light but I used a single key light to give it a little boost here to ensure I could keep the ISO nice and low for a nice, clean image.

I try and keep lighting setups fairly simple as a general rule (unless you’re particularly looking for a specific stylistic look of course). In an ideal world I want the images to look natural. As I said for the most part with environmental portraits I’m looking to enhance the light that already exists rather than starting from scratch as you would in a studio environment for example.

Simple two light setup to enhance ambient light for an environmental portrait of a woman sat in her kitchen
Here again, the key light was positioned to enhance the light coming from the kitchen window. A second light added some fill to the shadows in the background along with the ambient lights in the kitchen units themselves.

My portable lighting kit for environmental portraits

For those who are interested, the key parts of my portable lighting kit are as follows:

I have a few other bits but the above is my ‘core’ setup and I find having all my lighting gear in one backback (plus an additional bag for my light stands and brollies etc) really helpful.

I love this approach of crafting light

A lot of my work is generally very reactive – whether I’m chasing children during a family shoot or weaving in and out of an event I’m used to watching events unfold and responding accordingly, working fast to capture moments as they happen.

These kind of sessions offer a really nice change of pace and I really enjoy the freedom to take a bit of time to assess a room, think of the space and lighting and construct the shot. This was a really fun session and I’m looking forward to creating more environmental portraits in the year ahead.

Simon Wiffen Photography 6131

Do you have an upcoming portrait photography requirement you’d like to discuss?

To discuss a photography brief please give me a call or drop me an email and I’d be happy to talk through some ideas. I’d love to work with you!

Comments (2):

  1. Ian Meyers

    21st January 2023 at 5:36 am

    Very nice work and the use of light is definitely natural and clean

    Reply

Leave a Comment

Your email address will not be published. Required fields are marked *

About me

About me

I'm Simon Wiffen, an award-winning photographer, husband, dog owner, record collector and dad of three.

For image usage enquiries or to discuss a photography brief please give me a call or drop me an email and I’d be happy to talk through some ideas.

Get in touch

Get my newsletter